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A Hostage and the Meaning of Life
''A Hostage and the Meaning of Life'' is an album by the rock band Brazil that deals with themes of technology, dehumanization, and frustration. Musically, it borrows from complex genres such as progressive rock and classical music, as well as the abrasive aesthetic of punk, and the ethereal guitar sounds of shoegazer pop. It was received warmly by many critics as a masterful debut album from a previously unknown band. The album's single “Escape” received a small amount of college radio play, and the video appeared in rotation in several regional and national music video programs.
The album takes its name from Asimov's Caliban trilogy, although has nothing to do with the story itself.
==Concept==
There has been much speculation as to whether or not Hostage was a concept album. Singer and lyricist Jonathon Newby has been very vague in determining the validity of the claim, only to say “unless a band is putting out a Greatest Hits record, then by definition, all albums are concepts” in many interviews. One theory asserts the story as a Reverse Pinocchio fable about a human boy trying to become a robot. The key characters in this scenario are Pale, the boy, and Stark, a female android Pale has fallen in love with. In this scenario, the exclusive worlds of humans and robots forbid the romantic involvements of one with the other. Only by becoming a robot himself can Pale rightfully achieve acceptance into Stark's world. Most of the songs on the record deal with themes of longing and dehumanization.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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